By 1962, ten years after its opening, the Bridgestone Gallery as
it held its 450th Saturday Lecture on Art, recorded more than one
million visitors. The Gallery's cultural standing was on the rise.
In the same year, Mr. Bernard Dorival, curator of the Musee National
d'Art Modern de Paris, bestowed the collection in the Bridgestone
Gallery a great honor by his request below,
"We would like to propose that a special exhibition of the
Ishibashi Collection be organized at the Musee National d'Art Modern
de Paris. Could you lend a part of your collection for about two
months? All the ensuing expenses will be covered by the French side."
Shojiro consented graciously to the request. "La Peinture
Francaise de Corot a Braque dans la Collection Ishibashi de Tokyo"
was opened during the optimal viewing season in Paris in May, lasting
for 50 days. The exhibition of 50 works by French artists from Camille
Corot to Georges Bracque, from the Ishibashi Collection received
many accolades.
Le Monde, a leading French newspaper, reported, "The Ishibashi
Collection must surely be one of the foremost French art collections.
It was a surprise and a joy, through this exhibition, to realize
what prestigious ambassadors represent France in the Bridgestone
Museum of Art." ("Ce fut une surprise et une joie pour
la critique que de decouvrir, par cette exposition, quels prestigieux
ambassadeurs repesentaient la France dans le Musee Bridgestone:
maints articles en temoignet, qui paruret a cette occasion dans
la presse francaise.")