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| ●Connections
with the National Museum of Modern Art, Tokyo |
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In the past, Shojiro had strong connections with the National Museum
of Modern Art, Tokyo in Kitanomaru Daikancho (present Takebashi
in Tokyo).
The National Museum of Modern Art, Tokyo opened in Kyobashi, Tokyo
in 1952. But as it was located in a limited space in an old business
building, it was scheduled to move, around 1964, to a new venue.
The proposed site for the new building of the museum was a state-owned
land in Kitanomaru Daikan-cho. However, a previously convened Cabinet
meeting had laid a prohibition upon the site against the building
of any facilities thereupon.
Located in a splendid natural setting however, the site was ideal
for the purpose of art appreciation. It was also easily accessible
to the public via the mass transit system. There was strong consensus
that there could not be a more appropriate place than the site for
exhibiting both Japanese and foreign modern art to visitors from
all over Japan as well as to international visitors from abroad.
Upon careful consideration, Shojiro made the following generous
offer:
"Should the proposal to construct a new building for the National
Museum of Modern Art, Tokyo on the site be accepted, I will build
a new building for the museum and donate it to the nation."
After weighing the full import of the proposal, the then Minister
of Justice finally approved and accepted the proposal.
Construction work began in 1969. Designed by TANIGUCHI Yoshiro,
a doctor of engineering, the new building of the National Museum
of Modern Art, Tokyo, was highly appreciated in and around Japan
as a monument to Shojiro's dedication, philanthropy and role in
the conception of this museum.
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| ●The establishment
of the Ishibashi Foundation |
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Two years after the Bridgestone Museum of Art's,(formerly the Bridgestone
Gallery)opening, Shojiro set about preparing for the establishment
of the Ishibashi Foundation in 1954, for the purpose of accomplishing
two objectives.
The first of his two objectives was to ensure the continued development
of the museums, to prevent the collection from being dispersed and
lost and to forever preserve mankind's cultural legacy.
The second objective was, by the establishment of a foundation,
to secure and develop in perpetuity his private contributions and
donations to society into more organized activities.
Kanichiro, the eldest son of Shojiro, recalled:
"Around 1954, I was consulted by my father regarding his wish
to establish a foundation and donate all works of art in the museum
to it. I realized that he wanted to ask my opinion as an heir before
donating the greater part of his fortune. I told my father that
I sincerely supported his plan because such a great collection should
be developed and bequeathed permanently to society. Being satisfied
and delighted with my reply, my father began to carry out the plan."
In 1956, Shojiro established the Ishibashi Foundation by contributing
capital, donating property and art assets and became its first director.
However, it was not until 1961, some five years after the establishment
of the foundation, that the transfer of the art collection was successfully
completed. With such large amounts of donations being unprecedented,
the long lapse of time was required for the proper valuation and
examination of the vast number of pieces of fine Japanese and foreign
works of art.
The establishment of the foundation represented for Shojiro Ishibashi
the actualisation of his philosophy to return profits to the general
public.
FOR THE WELFARE AND HAPPINESS OF ALL MANKIND
ISHIBASHI Shojiro
The following persons have supported the establishment of the Ishibashi
Foundation and have freely participated in the first board of directors
and auditors:
HATOYAMA Ichiro, DAN Ino, MAKINO Ryozo,ISHII Mitsujiro,NODA Shunsaku,MORI
Sozaburo,KIMISHIMA Takeo,KASHIMA Goro, ISHIMA Kanichiro,NARUMO Shuichi,GO
Yasuhiro.
The following honors were conferred upon Shojiro for his achievements
and contribution to the general public:
In 1958 The Medal with Blue Ribbon
In 1964 The Order of the Sacred Treasure, Gold and Silver Star
In 1969 A pair of Silver Cups
In 1976 The Grand Cordon of the Order of the Sacred Treasure
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・Vision toward the business
world
・Success in producing Japanese-made car tires
・Passionate involvement in education and welfare of
society
・Influence of SAKAMOTO Hanjiro
and Shojiro's passion for paintings
・The Ishibashi Collection
・Establishment of the Bridgestone Museum of Art
・The inspiring visit of Mr.
and Mrs. Andre Malraux
・The Exhibition of the Ishibashi Collection in Paris
(La Peinture Francaise de Corot a Braque dans la Collection Ishibashi de
Tokyo)
・Donation of the Japanese pavilion for the International
Biennial Exhibition in Venice
・The National Museum of Modern Art, Tokyo connection
・Establishment of the Ishibashi Foundation
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